Kuvataiteen painettu ja sähköinen aineisto painottuu Kuvataideakatemian peruskoulutuksen suuntautumisvaihtoehtoihin liittyvään kirjallisuuteen. Lisäksi kirjaston kokoelmiin kuuluu Kuvataideakatemian taiteellista tutkimusta tukevaa kirjallisuutta ja Praxis-maisteriohjelman tarvitsemaa materiaalia.
Esimerkkejä nykytaiteen suuntauksista, joihin liittyvää kirjallisuutta löytyy Kuvataideakatemian kirjaston kokoelmista ovat mm. ympäristötaide, maataide, tilataide, installaatiot, performanssi, yhteisötaide, käsitetaide, video- ja mediataide ja kokeellinen elokuva.
Löydät aineiston hyllystä, kun katsot Arscasta kirjan saatavuustiedot.
Taideyliopiston Finna-palvelu Arsca on kirjaston sähköisten ja painettujen aineistojen hakupalvelu, jossa voit myös uusia lainasi, tehdä varauksia ja tallentaa omia suosikkejasi.
Jos kirja on lainassa kannattaa tehdä varaus Arscassa.
Activism by
An edited collection that addresses the vital intersection of contemporary art and activism in this watershed cultural moment. Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe. From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art's most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries. Artists include Ai Weiwei, Basel Abbas and Ruanne Abou-Rahme, Jennifer Allora and Guillermo Calzadilla, Tania Bruguera, Black Audio Film Collective, Andrea Fraser, Coco Fusco, Theaster Gates, Nan Goldin, Gulf Labor Coalition, Liberate Tate, Sethembile Msezane, Hito Steyerl, Temporary Services Writers include Ute Meta Bauer, Dave Beech, Judith Butler, Amilcar Cabral, Elias Canetti, Jodi Dean, T.J. Demos, Macarena Gomez-Barris, Gavin Grindon, Felix Guattari, Brian Holmes, Amar Kanwar, Jacques Ranci re, Lucy Lippard, Nicholas Mirzoeff, Yates McKee, Achille Mbembe, Gerald Raunig, Aruna D'Souza, Fran oise Verg s
Theory of the Art Object by
Meaning in the visual arts centers on how the physical work makes its content or presence visible. The art object is fundamental. Indeed, the different object forms of each visual medium allows our experience of space-time, and our relations to other people, to be aesthetically embodied in unique ways. Through these embodiments, visual art compensates for what is otherwise existentially lost, and becomes part of what makes life worth living. The present book shows this by discussing a range of visual art forms, namely pictorial representation, abstraction, sculpture and assemblage works, land art, architecture, photography, and varieties of digital art.
Painting Photography PaintingTaideyliopiston kirjaston e-kirjat löytyvät Arscan etusivun perushaulla ("Kirjaston kokoelmat" -haku).
Kaikkia e-kirjoja voi edelleen hakea myös kansainvälisten e-aineistojen haulla, sekä suoraan e-kirjojen omissa käyttöliittymissä, joihin pääset kirjaston tietokantalistan kautta.
Ohjeita e-kirjojen lataamiseen löydät tästä oppaasta: Elektroniset aineistot, e-kirjat
One Place after Another by
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
What Painting Is by
Unlike many books on painting that usually talk about art or painters, James Elkins¿ compelling and original work focuses on alchemy, for like the alchemist, the painter seeks to transform and be transformed by the medium. In What Painting Is, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a magical language to explore what it is a painter really does in her or his studio - the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colours will mix, and how they will look. Written from the perspective of a painter-turned-art historian, What Painting Is is like nothing you have ever read about art.
Kristeva Reframed by
For Kristeva, in a world immersed in readymade images, art or aesthetic experience is a practice that constitutes both a subject (a sense of self) and an object that is able to transform meaning and consciousness. Kristeva Reframed examines key ideas in Kristeva's work to show how they are most relevant to artists, and how they can be applied in interpreting artworks. With examples from the paintings of van Gogh and Picasso, the work of contemporary eminist painters, the photography of Bill Henson and the film and animation work of Van Sowerine, Estelle Barrett demonstrates how Kristeva can lluminate the relationships between artist and art object, between artists, artworks and audiences, and between art and knowledge. Through these relationships she explores what Kristeva's work reveals about the role and function of art in society and offers a smooth passage through Kristeva's ideas and her relevance to visual culture.
The Routledge Companion to Photography Theory by
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process, and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical, and haptic experience of encountering an image. The 'fractal' is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory -- that is, the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers, and teachers. The volume also features extensive images, including beautiful colour plates of key photographs.
Jos et löydä Taideyliopiston kirjaston kokoelmista tarvitsemaasi aineistoa, voit ehdottaa kirjastolle sen hankkimista.
